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How to Save Something in Preview That You Can Still Edit When Open Again

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  1. Photoshop User Guide
  2. Introduction to Photoshop
    1. Dream it. Make information technology.
    2. What's new in Photoshop
    3. Edit your first photograph
    4. Create documents
    5. Photoshop | Common Questions
    6. Photoshop system requirements
    7. Migrate presets, actions, and settings
    8. Become to know Photoshop
  3. Photoshop and Adobe services
    1. Photoshop and Adobe Stock
    2. Creative Cloud Libraries
    3. Artistic Cloud Libraries in Photoshop
    4. Use the Bear on Bar with Photoshop
    5. Piece of work with Illustrator artwork in Photoshop
    6. Use the Capture in-app extension in Photoshop
    7. Grid and guides
    8. Creating deportment
    9. Undo and history
    10. Default keyboard shortcuts
    11. Touch capabilities and customizable workspaces
  4. Photoshop on the iPad
    1. Photoshop on the iPad | Common questions
    2. Go to know the workspace
    3. System requirements | Photoshop on the iPad
    4. Create, open, and export documents
    5. Add photos
    6. Work with layers
    7. Draw and pigment with brushes
    8. Make selections and add masks
    9. Retouch your composites
    10. Piece of work with adjustment layers
    11. Adapt the tonality of your composite with Curves
    12. Apply transform operations
    13. Crop and rotate your composites
    14. Rotate, pan, zoom, and reset the canvas
    15. Piece of work with Type layers
    16. Work with Photoshop and Lightroom
    17. Become missing fonts in Photoshop on the iPad
    18. Japanese Text in Photoshop on the iPad
    19. Manage app settings
    20. Touch shortcuts and gestures
    21. Keyboard shortcuts
    22. Edit your image size
    23. Livestream as yous create in Photoshop on the iPad
    24. Correct imperfections with the Healing Brush
    25. Create brushes in Capture and use them in Photoshop
    26. Work with Photographic camera Raw files
    27. Create and piece of work with Smart Objects
    28. Adapt exposure in your images with Dodge and Burn
  5. Photoshop on the web beta
    1. Common questions | Photoshop on the web beta
    2. Introduction to the workspace
    3. Arrangement requirements | Photoshop on the spider web beta
    4. Keyboard shortcuts | Photoshop on the web beta
    5. Supported file types | Photoshop on the spider web beta
    6. Open up and work with cloud documents
    7. Collaborate with stakeholders
    8. Apply limited edits to your cloud documents
  6. Deject documents
    1. Photoshop cloud documents | Common questions
    2. Photoshop cloud documents | Workflow questions
    3. Manage and work with cloud documents in Photoshop
    4. Upgrade deject storage for Photoshop
    5. Unable to create or save a deject certificate
    6. Solve Photoshop cloud document errors
    7. Collect cloud document sync logs
    8. Share admission and edit your deject documents
    9. Share files and comment in-app
  7. Workspace
    1. Workspace basics
    2. Create documents
    3. Use the Touch Bar with Photoshop
    4. Microsoft Punch back up in Photoshop
    5. Tool galleries
    6. Performance preferences
    7. Use tools
    8. Touch gestures
    9. Affect capabilities and customizable workspaces
    10. Technology previews
    11. Metadata and notes
    12. Quickly share your creations
    13. Identify Photoshop images in other applications
    14. Preferences
    15. Default keyboard shortcuts
    16. Rulers
    17. Testify or hide non-printing Extras
    18. Specify columns for an image
    19. Disengage and history
    20. Panels and menus
    21. Place files
    22. Position elements with snapping
    23. Position with the Ruler tool
    24. Presets
    25. Customize keyboard shortcuts
    26. Grid and guides
  8. Spider web, screen, and app blueprint
    1. Photoshop for design
    2. Artboards
    3. Device Preview
    4. Copy CSS from layers
    5. Slice web pages
    6. HTML options for slices
    7. Modify slice layout
    8. Work with web graphics
    9. Create web photo galleries
  9. Image and colour basics
    1. How to resize images
    2. Work with raster and vector images
    3. Prototype size and resolution
    4. Acquire images from cameras and scanners
    5. Create, open, and import images
    6. View images
    7. Invalid JPEG Marker fault | Opening images
    8. Viewing multiple images
    9. Customize color pickers and swatches
    10. High dynamic range images
    11. Match colors in your prototype
    12. Convert betwixt color modes
    13. Color modes
    14. Erase parts of an image
    15. Blending modes
    16. Choose colors
    17. Customize indexed color tables
    18. Image information
    19. Distort filters are unavailable
    20. Well-nigh colour
    21. Color and monochrome adjustments using channels
    22. Cull colors in the Color and Swatches panels
    23. Sample
    24. Color manner or Image style
    25. Colour bandage
    26. Add a conditional style change to an action
    27. Add swatches from HTML CSS and SVG
    28. Scrap depth and preferences
  10. Layers
    1. Layer basics
    2. Nondestructive editing
    3. Create and manage layers and groups
    4. Select, group, and link layers
    5. Place images into frames
    6. Layer opacity and blending
    7. Mask layers
    8. Apply Smart Filters
    9. Layer comps
    10. Movement, stack, and lock layers
    11. Mask layers with vector masks
    12. Manage layers and groups
    13. Layer furnishings and styles
    14. Edit layer masks
    15. Extract avails
    16. Reveal layers with clipping masks
    17. Generate image assets from layers
    18. Work with Smart Objects
    19. Blending modes
    20. Combine multiple images into a group portrait
    21. Combine images with Machine-Blend Layers
    22. Marshal and distribute layers
    23. Copy CSS from layers
    24. Load selections from a layer or layer mask'south boundaries
    25. Knockout to reveal content from other layers
    26. Layer
    27. Flattening
    28. Composite
    29. Groundwork
  11. Selections
    1. Select and Mask workspace
    2. Make quick selections
    3. Go started with selections
    4. Select with the marquee tools
    5. Select with the lasso tools
    6. Select a colour range in an paradigm
    7. Adjust pixel selections
    8. Convert between paths and option borders
    9. Aqueduct basics
    10. Move, re-create, and delete selected pixels
    11. Create a temporary quick mask
    12. Relieve selections and alpha aqueduct masks
    13. Select the image areas in focus
    14. Duplicate, split, and merge channels
    15. Channel calculations
    16. Selection
    17. Bounding box
  12. Epitome adjustments
    1. Perspective warp
    2. Reduce camera shake blurring
    3. Healing castor examples
    4. Export color lookup tables
    5. Adjust paradigm sharpness and blur
    6. Empathize color adjustments
    7. Utilise a Brightness/Dissimilarity adjustment
    8. Arrange shadow and highlight detail
    9. Levels adjustment
    10. Adjust hue and saturation
    11. Adjust vibrance
    12. Adjust color saturation in image areas
    13. Make quick tonal adjustments
    14. Apply special colour furnishings to images
    15. Enhance your image with color balance adjustments
    16. High dynamic range images
    17. View histograms and pixel values
    18. Lucifer colors in your image
    19. How to crop and straighten photos
    20. Convert a colour image to blackness and white
    21. Adjustment and fill layers
    22. Curves adjustment
    23. Blending modes
    24. Target images for printing
    25. Arrange color and tone with Levels and Curves eyedroppers
    26. Adapt HDR exposure and toning
    27. Filter
    28. Blur
    29. Dodge or burn down image areas
    30. Make selective color adjustments
    31. Replace object colors
  13. Adobe Photographic camera Raw
    1. Photographic camera Raw arrangement requirements
    2. What'southward new in Camera Raw
    3. Introduction to Photographic camera Raw
    4. Create panoramas
    5. Supported lenses
    6. Vignette, grain, and dehaze effects in Camera Raw
    7. Default keyboard shortcuts
    8. Automatic perspective correction in Camera Raw
    9. How to make not-destructive edits in Camera Raw
    10. Radial Filter in Photographic camera Raw
    11. Manage Camera Raw settings
    12. Open, procedure, and save images in Camera Raw
    13. Repair images with the Enhanced Spot Removal tool in Camera Raw
    14. Rotate, crop, and adapt images
    15. Accommodate color rendering in Camera Raw
    16. Characteristic summary | Adobe Camera Raw | 2018 releases
    17. New features summary
    18. Procedure versions in Camera Raw
    19. Make local adjustments in Photographic camera Raw
  14. Paradigm repair and restoration
    1. Remove objects from your photos with Content-Enlightened Make full
    2. Content-Enlightened Patch and Move
    3. Retouch and repair photos
    4. Correct image distortion and noise
    5. Bones troubleshooting steps to fix most issues
  15. Image transformations
    1. Transform objects
    2. Arrange crop, rotation, and canvas size
    3. How to ingather and straighten photos
    4. Create and edit panoramic images
    5. Warp images, shapes, and paths
    6. Vanishing Signal
    7. Utilise the Liquify filter
    8. Content-aware scaling
    9. Transform images, shapes, and paths
    10. Warp
    11. Transform
    12. Panorama
  16. Drawing and painting
    1. Paint symmetrical patterns
    2. Draw rectangles and modify stroke options
    3. About drawing
    4. Draw and edit shapes
    5. Painting tools
    6. Create and modify brushes
    7. Blending modes
    8. Add colour to paths
    9. Edit paths
    10. Paint with the Mixer Brush
    11. Brush presets
    12. Gradients
    13. Gradient interpolation
    14. Fill and stroke selections, layers, and paths
    15. Draw with the Pen tools
    16. Create patterns
    17. Generate a design using the Pattern Maker
    18. Manage paths
    19. Manage design libraries and presets
    20. Depict or paint with a graphics tablet
    21. Create textured brushes
    22. Add dynamic elements to brushes
    23. Gradient
    24. Paint stylized strokes with the Fine art History Brush
    25. Paint with a blueprint
    26. Sync presets on multiple devices
  17. Text
    1. Work with OpenType SVG fonts
    2. Format characters
    3. Format paragraphs
    4. How to create type effects
    5. Edit text
    6. Line and character spacing
    7. Arabic and Hebrew type
    8. Fonts
    9. Troubleshoot fonts
    10. Asian blazon
    11. Create type
    12. Text Engine mistake using Type tool in Photoshop | Windows viii
    13. Earth-Ready composer for Asian Scripts
    14. How to add and edit the text in Photoshop
  18. Video and blitheness
    1. Video editing in Photoshop
    2. Edit video and blitheness layers
    3. Video and blitheness overview
    4. Preview video and animations
    5. Paint frames in video layers
    6. Import video files and image sequences
    7. Create frame animations
    8. Creative Cloud 3D Blitheness (Preview)
    9. Create timeline animations
    10. Create images for video
  19. Filters and effects
    1. Use the Liquify filter
    2. Use the Blur Gallery
    3. Filter basics
    4. Filter effects reference
    5. Add Lighting Effects
    6. Utilize the Adaptive Wide Angle filter
    7. Utilise the Oil Paint filter
    8. Layer effects and styles
    9. Apply specific filters
    10. Smudge epitome areas
  20. Saving and exporting
    1. Save your files in Photoshop
    2. Export your files in Photoshop
    3. Supported file formats
    4. Save files in graphics formats
    5. Move designs between Photoshop and Illustrator
    6. Salvage and export video and animations
    7. Save PDF files
    8. Digimarc copyright protection
  21. Press
    1. Print 3D objects
    2. Impress from Photoshop
    3. Print with color management
    4. Contact Sheets and PDF Presentations
    5. Print photos in a picture package layout
    6. Print spot colors
    7. Duotones
    8. Impress images to a commercial printing press
    9. Improve color prints from Photoshop
    10. Troubleshoot press problems | Photoshop
  22. Automation
    1. Creating deportment
    2. Create data-driven graphics
    3. Scripting
    4. Process a batch of files
    5. Play and manage deportment
    6. Add conditional actions
    7. About actions and the Actions panel
    8. Record tools in deportment
    9. Add a conditional manner change to an action
    10. Photoshop UI toolkit for plug-ins and scripts
  23. Color Direction
    1. Understanding color management
    2. Keeping colors consistent
    3. Colour settings
    4. Work with color profiles
    5. Colour-managing documents for online viewing
    6. Color-managing documents when printing
    7. Color-managing imported images
    8. Proofing colors
  24. Content authenticity
    1. Acquire about content credentials
    2. Identity and provenance for NFTs
    3. Connect accounts for creative attribution
  25. 3D and technical imaging
    1. Photoshop 3D | Common questions around discontinued 3D features
    2. Artistic Cloud 3D Animation (Preview)
    3. Print 3D objects
    4. 3D painting
    5. 3D console enhancements | Photoshop
    6. Essential 3D concepts and tools
    7. 3D rendering and saving
    8. Create 3D objects and animations
    9. Paradigm stacks
    10. 3D workflow
    11. Measurement
    12. DICOM files
    13. Photoshop and MATLAB
    14. Count objects in an image
    15. Combine and convert 3D objects
    16. 3D texture editing
    17. Accommodate HDR exposure and toning
    18. 3D panel settings

Yous can easily save your Photoshop image files to a wide assortment of popular image formats.

Save in TIFF format

TIFF is a flexible raster (bitmap) image format supported by virtually all paint, image-editing, and page-layout applications.

  1. Choose File > Save Equally, choose TIFF from the Format menu, and click Save.

  2. In the TIFF Options dialog box, select the options yous want, and click OK.

    Flake depth (32‑bit simply)

    Specifies the chip depth (16, 24, or 32‑chip) of the saved epitome.

    Epitome Compression

    Specifies a method for compressing the composite image data. If you're saving a 32‑scrap TIFF file, you can specify that the file be saved with predictor compression, just you don't have the pick to use JPEG compression. Predictor pinch offers improved compression by rearranging floating indicate values, and works with both LZW and Cypher compression.

    JPEG compression is available only for opaque RGB and grayscale images that are 8-$.25-per-channel and no more than xxx,000 pixels wide or high.

    Pixel Order

    Writes the TIFF file with the channels data interleaved or organized by airplane. Previously, Photoshop always wrote TIFF files with the channel order interleaved. Theoretically, the Planar order file can be read and written faster, and offers a little better compression. Both channel orders are backward uniform with earlier versions of Photoshop.

    Byte Order

    Selects the platform on which the file tin be read. This option is useful when you don't know what program the file may be opened in. Photoshop and about recent applications can read files using either IBM PC or Macintosh byte order.

    Save Image Pyramid

    Preserves multiresolution information. Photoshop does not provide options for opening multiresolution files; the epitome opens at the highest resolution within the file. Nonetheless, Adobe InDesign and some image servers provide support for opening multiresolution formats.

    Save Transparency

    Preserves transparency equally an boosted alpha channel when the file is opened in another awarding. Transparency is always preserved when the file is reopened in Photoshop.

    Layer Compression

    Specifies a method for compressing data for pixels in layers (as opposed to blended information). Many applications cannot read layer data and skip over it when opening a TIFF file. Photoshop, however, can read layer data in TIFF files. Although files that include layer data are larger than those that don't, saving layer data eliminates the need to save and manage a separate PSD file to hold the layer data. Cull Discard Layers And Salvage A Re-create if you want to flatten the image.

    To have Photoshop prompt you before saving an image with multiple layers, select Ask Before Saving Layered TIFF Files in the File Handling expanse of the Preferences dialog box.

Save in JPEG format

You tin use the Save Equally command to salvage CMYK, RGB, and grayscale images in JPEG (*.jpg) format. JPEG compresses file size by selectively discarding data. Y'all tin also save an image equally 1 or more than JPEGs using the File > Export > Save For Web (Legacy) command.

JPEG supports only 8-scrap images. If you save a 16-bit paradigm to this format, Photoshop automatically lowers the scrap depth.

To chop-chop save a medium-quality JPEG, play the Save Equally JPEG Medium action on the file. You tin access this action past choosing Production from the Actions panel menu.

  1. Choose File > Relieve As, and choose JPEG from the Format menu.

  2. In the JPEG Options dialog box, select the options you desire, and click OK.

    Matte

    Offers matte color choices to simulate the appearance of background transparency in images that contain transparency.

    Image Options

    Specifies the image quality. Cull an choice from the Quality menu, elevate the Quality pop-upward slider, or enter a value between 0 and 12 in the Quality text box.

    Format Options

    Specifies the format of your JPEG file. Baseline ("Standard") uses a format recognized past virtually spider web browsers. Baseline Optimized creates a file with optimized color and a slightly smaller file size. Progressive displays a series of increasingly detailed versions of the prototype (you lot specify how many) every bit it downloads. (Not all web browsers back up optimized and Progressive JPEG images.)

    Some applications may not exist able to read a CMYK file saved in JPEG format. Likewise, if you find that a Coffee awarding tin't read a JPEG file, try saving the file without a thumbnail preview.

Save in PNG format

You tin can utilise the Salve As control to salve RGB, Indexed Color, Grayscale, and Bitmap way images in PNG format.

  1. Choose File > Salvage As, and choose PNG from the Format bill of fare.

  2. Select an Interlace selection:

    None

    Displays the paradigm in a browser only when download is complete.

    Interlaced

    Displays low-resolution versions of the prototype in a browser equally the file downloads. Interlacing makes download time seem shorter, but information technology too increases file size.

You can export artboards, layers, layer groups, or documents as JPEG, GIF, or PNG images. Select the items in the Layers panel, right-click the selection, and then select Quick Export or Consign Every bit from the context card.

Save in GIF format

You tin use the Save Equally command to save a Photoshop document with i or more than frames equally animated GIF.

  1. Choose File > Save Every bit, and choose GIF from the Format menu.

  2. Specify options in the GIF Save Options dialog.

    GIF Save Options dialog
    GIF Salve Options dialog

Relieve in Photoshop EPS format

Virtually all page-layout, word-processing, and graphics applications accept imported or placed EPS (Encapsulated PostScript) files. To print EPS files, yous should utilize a PostScript printer. Non-PostScript printers volition print only the screen-resolution preview.

  1. Choose File > Save Every bit, and choose Photoshop EPS from the Format menu.

  2. In the EPS Options dialog box, select the options you desire, and click OK:

    Preview

    Creates a low-resolution image to view in the destination awarding. Choose TIFF to share an EPS file between Windows and Mac Os systems. An eight‑bit preview is in color and a 1‑bit preview is in blackness and white with a jagged appearance. An 8‑flake preview creates a larger file size than a 1‑bit preview. See also Bit depth.

    Encoding

    Determines the mode image data is delivered to a PostScript output device. Encoding options are described below.

    Include Halftone Screen and Include Transfer Function

    Control print specifications for loftier‑terminate commercial print jobs. Consult your printer earlier selecting these options.

    Transparent Whites

    Displays white areas as transparent. This option is bachelor only for images in Bitmap manner.

    PostScript Color Management

    Converts file data to the printer'southward colour infinite. Do not select this option if y'all plan to place the epitome in another colour-managed certificate.

    Only PostScript Level 3 printers support PostScript Color Management for CMYK images. To impress a CMYK image using PostScript Color Management on a Level 2 printer, convert the image to Lab mode before saving in EPS format.

    Include Vector Data

    Preserves any vector graphics (such as shapes and blazon) in the file. However, vector data in EPS and DCS files is bachelor only to other applications; vector data is rasterized if yous reopen the file in Photoshop. This pick is simply bachelor if your file contains vector information.

    Image Interpolation

    Applies bicubic interpolation to shine the low-resolution preview if printed.

Photoshop EPS encoding options

ASCII or ASCII85

Encodes if yous're printing from a Windows system, or if yous experience printing errors or other difficulties.

Binary

Produces a smaller file and leaves the original data intact. Notwithstanding, some folio-layout applications and some commercial print spooling and network printing software may not back up binary Photoshop EPS files.

JPEG

Compresses the file by discarding some image data. Y'all can choose the amount of JPEG compression from very little (JPEG Maximum Quality) to a lot (JPEG Low Quality). Files with JPEG encoding can be printed only on Level ii (or later) PostScript printers and may not dissever into individual plates.

Save in Photoshop DCS format

DCS (Desktop Color Separations) format is a version of EPS that lets you save colour separations of CMYK or multichannel files.

  1. Choose File > Save Every bit, and choose Photoshop DCS one.0 or Photoshop DCS two.0 from the Format card.

  2. In the DCS Format dialog box, select the options you want, and click OK.

    The dialog box includes all the options available for Photoshop EPS files. Additionally, the DCS menu gives you the option of creating a 72‑ppi composite file that can be placed in a page-layout awarding or used to proof the prototype:

    DCS 1.0 format

    Creates one file for each color channel in a CMYK epitome. Y'all can besides create a fifth file: a grayscale or color composite. To view the composite file, yous must keep all five files in the same folder.

    DCS two.0 format

    Retains spot color channels in the prototype. You can save the color channels equally multiple files (as for DCS 1.0) or as a single file. The single-file option saves deejay space. You can also include a grayscale or color composite.

Salvage in Photoshop Raw format

The Photoshop Raw format is a file format for transferring images between applications and computer platforms. The Photoshop Raw format is not the same as photographic camera raw.

  1. Cull File > Save As, and choose Photoshop Raw from the Format bill of fare.

  2. In the Photoshop Raw Options dialog box, practise the following:

    • (Mac OS) Specify values for File Type and File Creator, or take the default values.

    • Specify a Header parameter.

    • Select whether to save the channels in an interleaved or non-interleaved order.

Save in BMP format

The BMP format is an paradigm format for the Windows operating organisation. The images can range from black-and-white (one bit per pixel) up to 24‑bit color (16.7 one thousand thousand colors).

  1. Cull File > Save As, and cull BMP from the Format card.

  2. Specify a filename and location, and click Relieve.

  3. In the BMP Options dialog box, select a file format, specify the flake depth and, if necessary, select Flip Row Gild. For more options, click Advanced Modes and specify the BMP options.

Relieve in Cineon format (xvi-bit images only)

RGB images that are xvi bits per channel can be saved in Cineon format for employ in the Kodak Cineon Flick System.

  1. Choose File > Save As and choose Cineon from the Format menu.

Save in Targa format

The Targa (TGA) format supports bitmap and RGB images with 8 Bits/Channel. It is designed for Truevision® hardware, but it is also used in other applications.

  1. Choose File > Save As, and choose Targa from the Format carte.

  2. Specify a filename and location, and click Save.

  3. In the Targa Options dialog box, select a resolution, select the Compress (RLE) pick if you want to compress the file, and and then click OK.

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Source: https://helpx.adobe.com/photoshop/using/saving-files-graphics-formats.html

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